Lindsay Anderson’s 12–minute tour of Margate’s Dreamland funfair is immediately notable for its deliberately bleak and unattractive photography and a spare and impressionistic soundtrack. Despite the absence of a commentary, the film distinctly conveys Anderson’s obvious disdain for the modest, if not tawdry, attractions on offer.
Shown on the set of `Mary Reilly', Frears hosts a guided tour through seventy-five years of British cinema from Hitchcock's `Blackmail' (1920) through to Mike Newell's `Four Weddings and a Funeral' (1994).
The residues of history in the Welsh landscape plus the traditions of working class knowledge and solidarity are examined in this searching, moving film by political film collective Cinema Action. Charismatic union convener Shirley Butts assumes the focus, but her daughter's attempts to find work...
