Lindsay Anderson’s 12–minute tour of Margate’s Dreamland funfair is immediately notable for its deliberately bleak and unattractive photography and a spare and impressionistic soundtrack. Despite the absence of a commentary, the film distinctly conveys Anderson’s obvious disdain for the modest, if not tawdry, attractions on offer.
Shown on the set of `Mary Reilly', Frears hosts a guided tour through seventy-five years of British cinema from Hitchcock's `Blackmail' (1920) through to Mike Newell's `Four Weddings and a Funeral' (1994).
