This agreeably murky tale of court intrigue, corruption and sexual manipulation is a rare excursion for Ealing into historical drama. Peter Bull and Joan Greenwood are perfectly cast as the dissolute Prince George-Louis and his reluctant bride Sophie Dorothea. Shooting in colour for the first time allowed the studio to give full rein to the period costumes and (Oscar-nominated) sets. The design provides an evocative backdrop to the princesses' tragic story. As her lover, Stewart Granger demonstrates why he was soon poached by Hollywood.
Inspired by the tragic life and death of Ruth Ellis, the last woman to be executed in the UK, this was the Siren from Swindon's bid for a serious acting career. Desperate to shake off her buxom dumb-blonde image, Dors brought compassion and sensitivity to the role, but this didnít stop the studio...
A disparate group ñ a couple whose marriage is breaking down, a terminally ill conductor, grief-stricken parents ñ arrive at a Welsh country inn and discover that they have a year's grace to resolve their difficulties. WW2 witnessed the birth of the fantasy mini-genre where the supernatural admin...
Luke (Steven Brandon), a young man with Down's syndrome who prizes his independence, is forced into a care home after the death of his mother. There he rails against the restrictions imposed on him, but his frustrations are allayed by his budding friendships with his care-worker Eve (Shana Swash)...
