This agreeably murky tale of court intrigue, corruption and sexual manipulation is a rare excursion for Ealing into historical drama. Peter Bull and Joan Greenwood are perfectly cast as the dissolute Prince George-Louis and his reluctant bride Sophie Dorothea. Shooting in colour for the first time allowed the studio to give full rein to the period costumes and (Oscar-nominated) sets. The design provides an evocative backdrop to the princesses' tragic story. As her lover, Stewart Granger demonstrates why he was soon poached by Hollywood.
Inspired by the tragic life and death of Ruth Ellis, the last woman to be executed in the UK, this was the Siren from Swindon's bid for a serious acting career. Desperate to shake off her buxom dumb-blonde image, Dors brought compassion and sensitivity to the role, but this didnít stop the studio...
Ernst Lubitsch’s 1925 Hollywood version of Lady Windermere’s Fan is often misquoted as the first screen adaptation of Oscar Wilde’s enduringly popular 1892 play. In fact, the British got there first, with this early silent feature made nearly a decade before Lubitsch’s film. While the lack of act...
Paul and Nick are an odd duo who have developed a method that allows them to predict the sudden death of unsuspecting innocents in London. When their unbroken record of accurate predictions is threatened by an American tourist who discovers their theory, the morose forecasters start to unravel. A...
