Karel Reisz’s honest and sympathetic depiction of South London teens aimed to challenge the media perception of ‘Teddy Boys’, and would be one of the last films to appear under the Free Cinema banner. One of the key elements of the Free Cinema films was the sympathetic representation of working-class people, something the filmmakers felt was lacking in contemporary British cinema. Here, members of Kennington’s Alford House youth club talk about their lives and interests.
Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...
Innovative and influential, and originally envisaged as children’s show, Do Not Adjust Your Set was a madcap early-evening comedy sketch show that quickly acquired a cult following with Swinging Sixties adults, who rushed home from work to see it. Written by and starring Michael Palin, Terry Jone...
Before Monty Python's Flying Circus and The Goodies there was At Last the 1948 Show, the ground-breaking comedy sketch series starring John Cleese, Graham Chapman, Tim Brooke-Taylor, Marty Feldman, and Aimi MacDonald. Highlights of this package include brilliant a solo turn from Brooke-Taylor as ...
