Karel Reisz’s honest and sympathetic depiction of South London teens aimed to challenge the media perception of ‘Teddy Boys’, and would be one of the last films to appear under the Free Cinema banner. One of the key elements of the Free Cinema films was the sympathetic representation of working-class people, something the filmmakers felt was lacking in contemporary British cinema. Here, members of Kennington’s Alford House youth club talk about their lives and interests.
Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...
Humphrey Jennings epitomises the artist-filmmaker and this poetic evocation of ordinary people enjoying well-earned time away from the mill, mine, or foundry is a forerunner to Jennings' later wartime greats such as Listen to Britain. Joyous shots of people either pigeon fancying, ballroom danci...
