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The era of the British New Wave came of age with John Schlesinger’s comedy, one of the enduring films from the movement that crucially combines humour and literary pedigree with its ‘kitchen sink’ realism.
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Saraband for Dead Lovers
This agreeably murky tale of court intrigue, corruption and sexual manipulation is a rare excursion for Ealing into historical drama. Peter Bull and Joan Greenwood are perfectly cast as the dissolute Prince George-Louis and his reluctant bride Sophie Dorothea. Shooting in colour for the first tim...