A rare, late excursion into noir for Ealing Studios, scripted by first-time director Holt and critic Ken Tynan and intended as 'the least Ealing film ever made'. A good-looking ex-con (George Nader) coolly robs an old lady of her coin collection, anticipating prison, but also the later recovery of the proceeeds. Nothing proves that simple and he discovers the truth of the film's title. Stylish low-key cinematography, a jazz score and Maggie Smith's debut performance add to the pleasure.
Long before Mike Leigh's Topsy-Turvy, there was this lavish sprint through the lives and comic operas of the creators of The Mikado. Not all Gilliat's hopes were realised - he wanted more social history, and an easier flow between music and drama. But there's plenty still to feast on: winning per...
Dennis Price plays Louis, a young man snubbed by his aristocratic family as a result of his mother's marriage. When she's killed, Louis becomes determined to inherit the family title, and won't let anything or anyone stop him. With an unforgettable performance by Alec Guinness as all eight remain...
In post-war Britain following the detonation of an unexploded bomb the inhabitants of a London street discover riches and artefacts. These documents state that they are citizens of the medieval kingdom of Burgundy. When the government attempts to claim the fortune, the citizens of Burgundy declar...
