Gritty rather than glam, this incendiary, cult classic both confounded and delighted audiences upon its release in 1975, at the height of the legendary glam-rock band’s success. Charting the rise of fictional rock group Flame, with Slade themselves playing the band, it offers a witty, sublimely cynical and warts-and-all view of the ‘70s rock-biz, stuffed with high-octane Slade boot-stompers.
Up Next in BFI Restorations
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
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Children
The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A v...
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Madonna and Child
The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...
