For this remarkable experimental film, provocative avant-garde artist Stephen Dwoskin gathered a group of strangers and filmed them exploring their sexual fantasies over a period of five days; the camera lingering on looks, movements, costumes and improvisations. A subversive investigation of social relations, or possibly a pretentious proto-Big Brother, the film, once seen, is never forgotten.
Up Next in BFI titles
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Children
The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A v...
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Crook's Tour
After scene-stealing performances in The Lady Vanishes (1938) and Night Train to Munich (1940), Charters and Caldicott (Basil Radford and Naunton Wayne) take centre stage in this charming spy comedy. When the duo are mistaken for German agents, they receive a gramophone record which contains vita...
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Death and Transfiguration
The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, mal...
