The Peaches
BFI titles
•
Drama, Short Films, UR
If Edward Lear had been alive in the 60s, he may well have made The Peaches, Britain's short film entry at the 1964 Cannes Film Festival. A very beautiful, very clever girl (played by future Adam Adamant Lives! star Juliet Harmer) adores peaches, but when she falls in love the world's supply starts to wither... Harmer could hardly have wished for a more eulogistic debut than this impeccable slice of nonsense. Peter Ustinov’s wonderfully dry narration is the only dialogue.
Up Next in BFI titles
-
The Silent Village
The villagers of Cwmgiedd, southwest Wales, are the stars of Humphrey Jennings’ unforgettably inventive drama-doc. At Lidice, Czechoslovakia, a mining community’s entire male population was executed by the Nazis in 1942. Jennings (often said to be Britain’s greatest documentary filmmaker) i...
-
We Are the Lambeth Boys
Karel Reisz’s honest and sympathetic depiction of South London teens aimed to challenge the media perception of ‘Teddy Boys’, and would be one of the last films to appear under the Free Cinema banner. One of the key elements of the Free Cinema films was the sympathetic representation of wor...
-
White Men Are Cracking Up
Masie Blue is an enigmatic Black Widow figure under investigation by detective Margrave for her involvement in the suicides of successful white men. Through the blurred lines of perception and reality, the myth of the black feminine mystique is explored under the guise of a murder mystery. Writte...
