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The Song of the Shirt
The plight of women in the 1840s London rag trade is explored and deconstructed. Informed by experimental film practice and evoking a serialised Victorian novel, this unusual film investigates the effects of protectionist ‘philanthropy' in the sweatshop-style London clothes trade using contempor...
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To Have and to Hold
This ghoulish short has a truly gripping premise. Distracted by her boyfriend while driving on a quiet country lane, a young woman regains consciousness in their wrecked car to find herself hand in hand with her lover. But his lifeless hand, frozen by rigor mortis refuses to let go. John Hardwick...
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Together
Italian director Lorenza Mazzetti borrowed techniques from the neorealist school to conjure this striking study of East End life, one of the original Free Cinema shorts. Following the ambling existence of two deaf-mute dock workers, Mazzetti crafts a poetic depiction of post-war London populated ...
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Traveller
Musician Davy Spillane stars as a reluctantly-married young traveller in this Irish road movie written by Neil Jordan. Michael and his wife Angela are tasked with smuggling goods back over the border from Strabane, but their road trip seems doomed at every turn - weighed down by history and pover...
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Typically British
Shown on the set of `Mary Reilly', Frears hosts a guided tour through seventy-five years of British cinema from Hitchcock's `Blackmail' (1920) through to Mike Newell's `Four Weddings and a Funeral' (1994).
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Under the Skin
Sexy, dark and ultimately uplifting, Carine Adler's stylish debut gave Samantha Morton her first major feature film role in 1997. In this intimate exploration of a young woman's relationship with her mother and sister, things are going badly for Iris (Samantha Morton); her mother (Rita Tushingham...
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Voice Over
Fats' Bannerman enjoys success as the writer and presenter of 'Thus Engaged', a trite romantic radio serial. But when grim reality violently intrudes into his life, his fantasies become unbalanced and Fats' ability to separate fact from fiction breaks down. Featuring a compelling central performa...
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Welcome to Britain
About half a mile from Heathrow Airport is Harmondsworth detention centre where the visitors in Ben Lewin’s 1976 film are unceremoniously dumped while government officials ponder British immigration laws. The visitors mostly come from India, Pakistan, and Cyprus and are treated like criminals.
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What Can I Do with a Male Nude?
The problems of showing the naked male body in all its glory are laid bare in this witty short. From the unabashed nudity on Grecian urns to the homoeroticism of 1950s muscle mags, this strange history is related by an unseen photographer as he snaps a naked male model, his kinky commentary full ...
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9 Dalmuir West
Kevin Brownlow’s portrait of the last days of Glasgow’s tram system centres on the last tram to run in 1962, accentuating the mood of the final journey by contrasting shots of the event to the funky sounds of Joe Meek and The Tornados’ Telstar, a symbol of the modern world to which the tram...
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Amelia and the Angel
In this charming early short from British cinema maverick Ken Russell, a young girl, cast as an angel in the school play, is distraught when her brother steals and damages her treasured wings. Pocket money in hand, Amelia traverses London on the hunt for a new pair in time for the play. Mercedes ...
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Boy and Bicycle
Ridley Scott’s first film – featuring his younger brother, the late Tony Scott, as a schoolboy playing truant for the day to meander around Hartlepool on his bicycle – is a far cry from the director’s Hollywood blockbusters, a lyrical and highly personal evocation of the early sixties Nor...
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Dead London
Paul and Nick are an odd duo who have developed a method that allows them to predict the sudden death of unsuspecting innocents in London. When their unbroken record of accurate predictions is threatened by an American tourist who discovers their theory, the morose forecasters start to unravel. A...
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Eros Erosion
Transience and desire, and the silence and concealment surrounding sexuality, love, death, AIDS, and the fear of bereavement, are all touched upon among a rush of abstract and allegorical connections in this artist film from 1990 by Anna Thew.
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Every Day Except Christmas
Lindsay Anderson followed his Free Cinema debut O Dreamland with this affectionate tribute to working-class life, depicting the hustle and bustle of Covent Garden market.
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Floating
Disturbed by visions of a labyrinthine London about to be consumed by water, a lonely father begins to destroy his family's tower block flat in order to make room for an unlikely refuge in their front room. Eerie, absurdist and darkly comic, this brilliant psychodrama won director Richard Heslop ...
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Jemima + Johnny
The friendship of a young white boy and a black girl reaches out across the generations in this uplifting mid-60s short, directed by South African-born actor and anti-Apartheid activist Lionel Ngakane. Against a background media narrative suggesting ever-worsening racial tensions, Jemima + Johnny...
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Jew Süss
Unlike the horrifically antisemitic 1940 Nazi propaganda film, Lothar Mendes’ adaptation of Lion Feuchtwanger’s book offers a fairly sympathetic depiction of a Jewish man (Conrad Veidt) who seeks political power in order to improve the plight of Germany’s Jewry. Despite some unpleasant ster...
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Lady Windermere's Fan
Ernst Lubitsch’s 1925 Hollywood version of Lady Windermere’s Fan is often misquoted as the first screen adaptation of Oscar Wilde’s enduringly popular 1892 play. In fact, the British got there first, with this early silent feature made nearly a decade before Lubitsch’s film. While the lac...
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Life in Her Hands
Your NHS Needs You. Specifically, if you're a woman you, yes you, should consider joining the nursing ranks. Even if (gasp) you're already in your mid-twenties. Enter Kathleen Byron, a great character actress best known for her role as an unhinged nun in Black Narcissus (1946). Byron’s the star...
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Listen to Britain
Documentary, public information film, morale booster; propaganda film – all descriptions that apply to Humphrey Jennings and Stewart McAllister's extraordinary war-time film. Using his customary combination of poetry and propaganda, Jennings constructs a collage of the various people and classe...
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London Can Take It!
Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...