Cult Classics • Drama, UR
When a young poet (Michael Gothard, the brilliant character actor who excelled in films such as The Devils and The Valley Obscured by Clouds) hires a marketing company to turn his suicide into a mass-media spectacle, he finds that his subversive intentions are quickly diluted into a reactionary gesture. The very first feature funded by the BFI turned out to be an audacious London art film which, although little-seen, left its mark on late 1960s British cinema, echoes of its style evident in the work of such directors as Stanley Kubrick and Nicolas Roeg. The film also features the first screen role of Helen Mirren and music by Halim El-Dabh.
Up Next in Cult Classics
The debut feature by future Hollywood star director Tony Scott is a dark, surreal piece about a couple who accidentally kill a young man while out driving their car. Taking him home, the woman treats the boy as if he were her own - and as if he were still alive. She finds happiness by talking to ...
The Moon over the Alley
The Moon Over the Alley reunited Duffer writer/directors Joseph Despins and William Dumaresq, with this strange London-set musical, again scored by Galt MacDermont (Hair). The film explores the problems facing the multicultural residents in a Notting Hill boarding house of the early 1970s, desti...
The first major British gay film, this study of a closeted schoolteacher who spends his nights cruising London's gay clubs in search of Mr Right defies categorisation. Both a fascinating glimpse into the 1970s scene and a portrait of an ordinary gay man living in a homophobic society, Nighthawks ...