Much criticised at the time of its release, Michael Powell’s psychological study of a shy camera technician who films for his home movies the death throes of the women he kills is now widely regarded as a dark classic. Less a straightforward serial-killer thriller than a Freudian meditation on how and why we watch movies, it is rich in its thematic resonance – and in in-jokes about the film world.
Up Next in Cult Classics
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Human Traffic
Looking for an escape from boring nine-to-five jobs, bad relationships and dysfunctional families, five Cardiff friends plan a night out to remember, dominated by clubs, drugs, pubs and parties. Journey with them through the highs and lows of the weekend, wild escapades and unexpected epiphanies....
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The Man Who Fell to Earth
David Bowie cemented his unearthly persona in Nicolas Roeg’s startling cult film; playing in alien stranded on earth while on a mission to find water for his own world, he initiates a plan to amass a fortune to help save his home planet.
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The Wicker Man
After receiving an anonymous tip, a policeman ( Edward Woodward ) travels to the Scottish island of Summerisle to search for a missing girl. When he arrives, the Islanders, most of whom seem to be practising pagans, claim to have never seen or heard of the young girl. The mystery leads to our pro...
