Conservative executive Harold Pelham (a harrowing and atypical performance by Roger Moore) is involved in a car accident and declared momentarily dead. When he's eventually released from the hospital, Pelham discovers that an exact double of him has recently been seen in places that he's never been, taken over his family, undermined his business and even begun an extramarital affair. Is Pelham being stalked by a doppelganger with a taste for the wild life or is he simply a man going insane?
Up Next in Cult Classics
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Gothic
Lord Byron (Gabriel Byrne) promises his guests a night of horror only a mad poet can deliver and after partaking in hallucinogens, the guests tell ghost stories while exploring the dark corridors of his home - and of their minds. If any director is suited to retelling the wild night that conjured...
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Central Bazaar
For this remarkable experimental film, provocative avant-garde artist Stephen Dwoskin gathered a group of strangers and filmed them exploring their sexual fantasies over a period of five days; the camera lingering on looks, movements, costumes and improvisations. A subversive investigation of soc...
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The Gold Diggers
Sally Potter's avant-garde debut is a key film of early '80s feminist cinema. Made with an all-woman crew, and featuring stunning photography by Babette Magolte and a score by Lindsay Cooper it embraces a radical and experimental narrative structure.
