Berlin-born Hans Richter – Dadaist, painter, film theorist and filmmaker – was for four decades one of the most influential members of the cinematic avant-garde. Richter assembled some of the century’s liveliest artists as co-creators of Dreams That Money Can Buy, his most ambitious attempt to bring the work of the European avant-garde to a wider cinema audience.
Up Next in Drama
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My Ain Folk
The second instalment of Bill Douglas’ revered Trilogy. Though life becomes ever harder for Jamie, so that he eventually end up in a none-too-comforting children’s home, the bold, uncompromising assurance of Douglas’ very personal brand of realism ensures that the film effortlessly avoids the pit...
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Amelia and the Angel
In this charming early short from British cinema maverick Ken Russell, a young girl, cast as an angel in the school play, is distraught when her brother steals and damages her treasured wings. Pocket money in hand, Amelia traverses London on the hunt for a new pair in time for the play. Mercedes ...
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
