Despite Harold Pinter's fear that Joseph Losey would turn his play into 'a completely homosexual picture', The Servant stands as one of the great critiques of British social and sexual mores. Power relationships between the classes fuel a sexual subtext about dominance and submission which goes beyond gender, The Servant stands out as one of the definitive adaptations of Pinter's work.
Up Next in Drama
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
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Jew Süss
Unlike the horrifically antisemitic 1940 Nazi propaganda film, Lothar Mendes’ adaptation of Lion Feuchtwanger’s book offers a fairly sympathetic depiction of a Jewish man (Conrad Veidt) who seeks political power in order to improve the plight of Germany’s Jewry. Despite some unpleasant stereotype...
