Friendship (Tilda Swinton) has been sent to Earth on a peace mission. Heading for MIT, she inadvertently lands in Amman, Jordan during the 1970 ‘Black September’ war and is ushered to safety by journalist Sullivan (Bill Paterson). Holed up in a hotel as the conflict rages outside, the pair enter into a series of fascinating conversations about mortality, technology and the nature of warfare. Swinton gives a captivating early-career performance as she calmly debates with a wry and world-weary Sullivan. Together they ask: are we worth saving? Political and prescient, Wollen’s only solo feature film is a witty exploration of human-machine relations that feels remarkably relevant today.
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Darling
When she meets a hip television director, a young woman is swept into the world of London's lavish sixties nightlife. However, her lust to belong to the scene doesn't even begin to quench her thirst for fun, as she drifts from clique to clique looking for an unattainable sense of belonging.
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The Gold Diggers
Sally Potter's avant-garde debut is a key film of early '80s feminist cinema. Made with an all-woman crew, and featuring stunning photography by Babette Magolte and a score by Lindsay Cooper it embraces a radical and experimental narrative structure.
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The Lion in Winter
Christmas 1183. An elderly King Henry the Second (Peter O'Toole) is torn over naming his successor. He wants the young Prince John (Nigel Terry), one of his three sons, to take over, however, his wife Queen Eleanor of Aquitaine (Katherine Hepburn) wants another of his sons, Prince Richard the Lio...
