The first in Patrick Keiller’s highly imaginative trilogy of psycho-geographic journeys charts a trip through (and history of) London, as undertaken by our unseen narrator (Paul Scofield) and his companion, Robinson.
When she meets a hip television director, a young woman is swept into the world of London's lavish sixties nightlife. However, her lust to belong to the scene doesn't even begin to quench her thirst for fun, as she drifts from clique to clique looking for an unattainable sense of belonging.
It is 1912, and the shadow of war looms over a wealthy family. As they celebrate their eldest daughter's engagement in their lavish Yorkshire manor, they're interrupted by an ominous police detective who is investigating a young woman's suicide, and what role each of them played in her death.
Conservative executive Harold Pelham (a harrowing and atypical performance by Roger Moore) is involved in a car accident and declared momentarily dead. When he's eventually released from the hospital, Pelham discovers that an exact double of him has recently been seen in places that he's never be...