The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, male physique magazines, a tender moment with mum - build to an unforgettable closing scene.
Up Next in LGBTQIA+
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Madonna and Child
The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...
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Caught Looking
Caught Looking sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (a naval rough trade, a moustachioed ‘clone’, a retro ’50s muscle men) while offering wry commen...
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Eros Erosion
Transience and desire, and the silence and concealment surrounding sexuality, love, death, AIDS, and the fear of bereavement, are all touched upon among a rush of abstract and allegorical connections in this artist film from 1990 by Anna Thew.
