Much criticised at the time of its release, Michael Powell’s psychological study of a shy camera technician who films for his home movies the death throes of the women he kills is now widely regarded as a dark classic. Less a straightforward serial-killer thriller than a Freudian meditation on how and why we watch movies, it is rich in its thematic resonance – and in in-jokes about the film world.
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Scars of Dracula
When he is banished from the village, Paul Carson (Christopher Matthews) winds up at Castle Dracula, where unbeknownst to him, the Lord of the Undead (Christopher Lee) has been reanimated. Searching for Paul, his brother Simon (Dennis Waterman) storms Castle Dracula with his fiancée, unaware of ...
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The Day the Earth Caught Fire
When the USA and Russia simultaneously test atomic bombs, the earth is knocked off its axis and set on a collision course with the sun. Peter Stenning (Edward Judd), a washed-up Daily Express reporter, breaks the story and sets about investigating the government cover-up.
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The Fallen Idol
Carol Reed followed the success of Odd Man Out (1947) with this adaptation of Graham Greene’s short story, The Basement Room. Young Felipe (a revelatory Bobby Henrey) is a son of a diplomat who is never around, who instead forms a friendship with his butler Baines (Ralph Richardson). Baines imp...
