Legendary Hollywood director Sidney Lumet’s final film is as blistering as any young director’s. In desperate need of money, brothers Philip Seymour Hoffman and Ethan Hawke rob a ‘mom and pop’ jewelry store – only it belongs to their own mom and pop. Murder and time-tripping editing ensue; and Albert Finney’s paterfamilias is as displeased as in any Greek tragedy. Lumet’s 50s-TV-forged naturalism finds its Jacobean alter ego.
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The Baby of Mâcon
In the 17th-century medieval court of Cosimo de Medici III, a group of players perform a production outlining an apparent virgin birth in the French town of Mâcon and the people who exploit this ‘miracle’ for their own gain. What follows is a damning indictment of corruption in all strata of...
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Her Last Affaire
Powell’s adaptation of Walter Ellis’s successful play was the most prestigious production he had made to date. A ‘society drama’ involving suspicion, clandestine romance and presumed murder, its cast of accomplished stage actors are nonetheless entirely upstaged by the glorious comic doub...
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The Night of the Party
Powell was dismissive of this stage adaptation, about a murder at a society party, which was foisted on him by Gaumont-British boss Michael Balcon. While it may betray its stage origins, it’s more fun than Powell suggested, with inventively staged scenes, and characterful performances from its ...
