Shorts
Often how distinguished directors first cut their teeth, we shine a spotlight on the craft, scope and power of short film, including lyrical and impassioned examples from Terence Davies and Ridley Scott.
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Life in Her Hands
Your NHS Needs You. Specifically, if you're a woman you, yes you, should consider joining the nursing ranks. Even if (gasp) you're already in your mid-twenties. Enter Kathleen Byron, a great character actress best known for her role as an unhinged nun in Black Narcissus (1946). Byron’s the star...
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Madonna and Child
The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...
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My Ain Folk
The second instalment of Bill Douglas’ revered Trilogy. Though life becomes ever harder for Jamie, so that he eventually end up in a none-too-comforting children’s home, the bold, uncompromising assurance of Douglas’ very personal brand of realism ensures that the film effortlessly avoids t...
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My Childhood
Set in 1945, the first part of Bill Douglas’ poetic and profoundly stirring autobiographical triptych revisits his impoverished childhood, living with his grandmother and half-brother in the Scottish mining village of Newcraighall.
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My Way Home
Concluding his acclaimed Trilogy, Bill Douglas’ autobiographical film follows young Jamie as leaves home to live with his paternal grandmother, only to be conscripted into the RAF.
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Terminus
In his first cinema film, made at British Transport Films, John Schlesinger presents a day in the life of Waterloo rail station. Now a staple television format, this observational look at the workings of one of London’s key railway hubs was considered innovative in 1961, winning it awards at Ve...
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Skinflicker
Presented as found footage à la The Blair Witch Project, this chilling and provocative fake home movie presents the story of three dissidents and their plan to commit a revolutionary act on film. Will Knightley (father of Keira) plays one of the guerrillas who kidnap and torture a cabinet minister.
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Amelia and the Angel
In this charming early short from British cinema maverick Ken Russell, a young girl, cast as an angel in the school play, is distraught when her brother steals and damages her treasured wings. Pocket money in hand, Amelia traverses London on the hunt for a new pair in time for the play. Mercedes ...
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Momma Don't Allow
This lively Free Cinema short captures a night out at the Wood Green Jazz Club, where teenagers jive to trad jazz. Funded by the BFI Experimental Film Fund, it was filmed over the course of nine Saturdays by Karel Reisz, then programmer of the National Film Theatre, and a young BBC television dir...
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Listen to Britain
Documentary, public information film, morale booster; propaganda film – all descriptions that apply to Humphrey Jennings and Stewart McAllister's extraordinary war-time film. Using his customary combination of poetry and propaganda, Jennings constructs a collage of the various people and classe...
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Spare Time
Humphrey Jennings epitomises the artist-filmmaker and this poetic evocation of ordinary people enjoying well-earned time away from the mill, mine, or foundry is a forerunner to Jennings’ later wartime greats such as Listen to Britain. Joyous shots of people either pigeon fancying, ballroom dan...
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London Can Take It!
Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...
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The Silent Village
The villagers of Cwmgiedd, southwest Wales, are the stars of Humphrey Jennings’ unforgettably inventive drama-doc. At Lidice, Czechoslovakia, a mining community’s entire male population was executed by the Nazis in 1942. Jennings (often said to be Britain’s greatest documentary filmmaker) i...
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Together
Italian director Lorenza Mazzetti borrowed techniques from the neorealist school to conjure this striking study of East End life, one of the original Free Cinema shorts. Following the ambling existence of two deaf-mute dock workers, Mazzetti crafts a poetic depiction of post-war London populated ...
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We Are the Lambeth Boys
Karel Reisz’s honest and sympathetic depiction of South London teens aimed to challenge the media perception of ‘Teddy Boys’, and would be one of the last films to appear under the Free Cinema banner. One of the key elements of the Free Cinema films was the sympathetic representation of wor...