The British New Wave came a decade earlier than advertised with Robert Hamer's downbeat postwar thriller. In a dank East End of ration-book misery, dosshouses and black marketeering, a world-weary housewife is shaken by the sudden reappearance of an old lover, now an escaped convict on the run. Restored by the BFI in 2012, Robert Hamer's solo directing debut is now recognised as one of the classics of British cinema's golden late-1940s.
Up Next in StudioCanal Films
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The Queen of Spades
The distinguished British film director Thorold Dickinson (1903-1984), made only nine features in a chequered but remarkable film-making career which began in 1936 and ended in 1955. He subsequently became Britainís first Professor of Film at the Slade School of Art and wrote the much re-printed ...
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The Man Who Haunted Himself
Conservative executive Harold Pelham (a harrowing and atypical performance by Roger Moore) is involved in a car accident and declared momentarily dead. When he's eventually released from the hospital, Pelham discovers that an exact double of him has recently been seen in places that he's never be...
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An Inspector Calls
It is 1912, and the shadow of war looms over a wealthy family. As they celebrate their eldest daughter's engagement in their lavish Yorkshire manor, they're interrupted by an ominous police detective who is investigating a young woman's suicide, and what role each of them played in her death.
