The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A visit to the doctor for anti-depressants elicits little sympathy ("still no interest in girls?").
The era of the British New Wave came of age with John Schlesinger’s comedy, one of the enduring films from the movement that crucially combines humour and literary pedigree with its ‘kitchen sink’ realism.
The second of Ken Loach and screenwriter Paul Laverty's run of Scotland-set films, Sweet Sixteen is set on a bleak estate in the former shipbuilding town of Greenock. Newcomer Martin Compston puts in a powerful performance as the teenager Liam who turns to drug-dealing in an effort to escape from...
Before she hit the big time with Bend it Like Beckham, Gurinder Chadha made this fascinating documentary on what it meant to be a young British Asian in the 1980s. The young people interviewed are from across the UK; the common thread is that they see it as home, but their differing views about w...
