Told with authenticity and perception, David looks back on the life of a school caretaker in a Welsh mining town, from the marriage and birth of his son to the trauma of a pit accident.

Carol Reed followed the success of Odd Man Out (1947) with this adaptation of Graham Greene’s short story, The Basement Room. Young Felipe (a revelatory Bobby Henrey) is a son of a diplomat who is never around, who instead forms a friendship with his butler Baines (Ralph Richardson). Baines imp...

One of the greatest British films, Carol Reed's classic very consciously emphasises its time and place - post-war Vienna - yet its resonant themes around loss of innocence and a fall from grace render it timeless. Joseph Cotten plays the writer searching the Austrian capital for his missing frien...

The Boy Who Turned Yellow is the splendidly eccentric final collaboration from the eminent filmmaking duo Michael Powell and Emeric Pressburger. London schoolboy John Saunders turns a bright yellow after losing his pet mouse on a school, trip. Is the mysterious colour change the result of an alie...

Documentary, public information film, morale booster; propaganda film – all descriptions that apply to Humphrey Jennings and Stewart McAllister's extraordinary war-time film. Using his customary combination of poetry and propaganda, Jennings constructs a collage of the various people and classe...

Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...

The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A v...

The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...

Hailed as Britain's first black feature film, Pressure is a hard-hitting, honest document of the plight of disenchanted British-born black youths. Set in 1970s London, it tells the story of Tony, a bright school-leaver, son of West Indian immigrants, who finds himself torn between his parents' ch...

The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play,...

The flagship of the GPO Film Unit's output and a cornerstone of British documentary. Harry Watt and Basil Wright's study of the down postal express stands as a beacon for John Grierson's original purpose for documentary - to make the working man the hero of the screen. A truly collaborative effor...

Late one night, Stephen (Bogarde) hears a car accident outside of his house. Rushing to help, he discovers that the occupants of the car are a student of his, William, and William's fiancé Anna. The accident seems to spark something in Stephen, leading him to analyse the events of the days prece...

Italian director Lorenza Mazzetti borrowed techniques from the neorealist school to conjure this striking study of East End life, one of the original Free Cinema shorts. Following the ambling existence of two deaf-mute dock workers, Mazzetti crafts a poetic depiction of post-war London populated ...

For this remarkable experimental film, the provocative avant-garde legend Stephen Dwoskin gathered together a group of strangers and filmed them as they explored their fantasies over a period of five days: a project that now sounds a little like TV's Big Brother.

In the middle of World War II Cavalcanti provocatively imagined a postwar England in which the failure of the threatened German invasion could be safely seen in flashback, thanks to the resourceful villagers of Bramley End. Once the ostensibly British troops in their village are revealed as Nazis...

The ground-breaking first feature from the director of Orlando and The Tango Lesson, The Gold Diggers is a key film of early '80s feminist cinema. Made with an all-woman crew, featuring stunning photography by Babette Magolte and a score by Lindsay Cooper it embraces a radical and experimental na...

The BFI Archive's restoration of Herbert Ponting's official film record of Captain Scott's tragic expedition to the South Pole, with a new score by Simon Fisher Turner. Please note this film contains offensive racist language.

The British New Wave came a decade earlier than advertised with Robert Hamer's downbeat postwar thriller. In a dank East End of ration-book misery, dosshouses and black marketeering, a world-weary housewife is shaken by the sudden reappearance of an old lover, now an escaped convict on the run. R...

This dramatic reconstruction of two decisive naval battles from the First World War is one of the finest films of the British silent era. Walter Summers’ film was originally released on Armistice Day 1927 to act as a memorial to the thousands who died in the Battle of Coronel, triumph for Germa...

Innovative and influential, and originally envisaged as children’s show, Do Not Adjust Your Set was a madcap early-evening comedy sketch show that quickly acquired a cult following with Swinging Sixties adults, who rushed home from work to see it. Written by and starring Michael Palin, Terry Jone...

Innovative and influential, and originally envisaged as children’s show, Do Not Adjust Your Set was a madcap early-evening comedy sketch show that quickly acquired a cult following with Swinging Sixties adults, who rushed home from work to see it. Written by and starring Michael Palin, Terry Jone...

Innovative and influential, and originally envisaged as children’s show, Do Not Adjust Your Set was a madcap early-evening comedy sketch show that quickly acquired a cult following with Swinging Sixties adults, who rushed home from work to see it. Written by and starring Michael Palin, Terry Jone...

Innovative and influential, and originally envisaged as children’s show, Do Not Adjust Your Set was a madcap early-evening comedy sketch show that quickly acquired a cult following with Swinging Sixties adults, who rushed home from work to see it. Written by and starring Michael Palin, Terry Jone...

Before Monty Python's Flying Circus and The Goodies there was At Last the 1948 Show, the ground-breaking comedy sketch series starring John Cleese, Graham Chapman, Tim Brooke-Taylor, Marty Feldman, and Aimi MacDonald. This compendium features the first ever episode (discovered many years later in...