For this remarkable experimental film, provocative avant-garde artist Stephen Dwoskin gathered a group of strangers and filmed them exploring their sexual fantasies over a period of five days; the camera lingering on looks, movements, costumes and improvisations. A subversive investigation of social relations, or possibly a pretentious proto-Big Brother, the film, once seen, is never forgotten.
Up Next in BFI Restorations
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Went the Day Well?
In the middle of World War II Cavalcanti provocatively imagined a postwar England in which the failure of the threatened German invasion could be safely seen in flashback, thanks to the resourceful villagers of Bramley End. Once the ostensibly British troops in their village are revealed as Nazis...
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The Gold Diggers
Sally Potter's avant-garde debut is a key film of early '80s feminist cinema. Made with an all-woman crew, and featuring stunning photography by Babette Magolte and a score by Lindsay Cooper it embraces a radical and experimental narrative structure.
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The Great White Silence
The Great White Silence is one of the jewels in the crown of the BFI National Archive fully justifying this stunning tinted and toned restoration with new score by electronic musician Simon Fisher Turner.
