The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, male physique magazines, a tender moment with mum - build to an unforgettable closing scene.
Up Next in BFI Restorations
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It Always Rains on Sunday
The British New Wave came a decade earlier than advertised with Robert Hamer's downbeat postwar thriller. In a dank East End of ration-book misery, dosshouses and black marketeering, a world-weary housewife is shaken by the sudden reappearance of an old lover, now an escaped convict on the run. R...
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
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Slade in Flame
Gritty rather than glam, this incendiary, cult classic both confounded and delighted audiences upon its release in 1975, at the height of the legendary glam-rock band’s success. Charting the rise of fictional rock group Flame, with Slade themselves playing the band, it offers a witty, sublimely...
