The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, male physique magazines, a tender moment with mum - build to an unforgettable closing scene.
Up Next in BFI Restorations
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Big Banana Feet
Working with cinematographer David Peat directors Murray Grigor and Patrick Higson capture Billy Connolly at his brilliant best, as the comedian employs his trademark humour and no small amount of roguish charm to navigate the political tensions of 1970s Dublin and Belfast.
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It Always Rains on Sunday
The British New Wave came a decade earlier than advertised with Robert Hamer's downbeat postwar thriller. In a dank East End of ration-book misery, dosshouses and black marketeering, a world-weary housewife is shaken by the sudden reappearance of an old lover, now an escaped convict on the run. R...
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Pressure
Hailed as Britain's first black feature film, Pressure is a hard-hitting, honest document of the plight of disenchanted British-born black youths. Set in 1970s London, it tells the story of Tony, a bright school-leaver, son of West Indian immigrants, who finds himself torn between his parents' ch...
