BFI Restorations
Moments in time, captured and shared, honouring the work of filmmakers who are too important to forget. Everyone who supports the BFI contributes to our ongoing work, from restoring and archiving films likes these, to seeking out the next generation of creators. Thank you.
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Friendship's Death
Friendship (Tilda Swinton) has been sent to Earth on a peace mission. Heading for MIT, she inadvertently lands in Amman, Jordan during the 1970 ‘Black September’ war and is ushered to safety by journalist Sullivan (Bill Paterson). Holed up in a hotel as the conflict rages outside, the pair enter ...
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Rynox
The influence of Fritz Lang is unmistakeable on Powell’s earliest extant film – a thriller crafted with real visual style, despite its limited budget. The twisty plot concerns businessman F.X. Benedik (Rome), who has been receiving threats from a mysterious stranger. When Benedik is murdered, the...
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The Night of the Party
Powell was dismissive of this stage adaptation, about a murder at a society party, which was foisted on him by Gaumont-British boss Michael Balcon. While it may betray its stage origins, it’s more fun than Powell suggested, with inventively staged scenes, and characterful performances from its fi...
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Her Last Affaire
Powell’s adaptation of Walter Ellis’s successful play was the most prestigious production he had made to date. A ‘society drama’ involving suspicion, clandestine romance and presumed murder, its cast of accomplished stage actors are nonetheless entirely upstaged by the glorious comic doub...
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Children
The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A v...
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Madonna and Child
The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...
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Night Mail
The flagship of the GPO Film Unit's output and a cornerstone of British documentary. Harry Watt and Basil Wright's study of the down postal express stands as a beacon for John Grierson's original purpose for documentary - to make the working man the hero of the screen. A truly collaborative effor...
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Accident
Late one night, Stephen (Bogarde) hears a car accident outside of his house. Rushing to help, he discovers that the occupants of the car are a student of his, William, and William's fiancé Anna. The accident seems to spark something in Stephen, leading him to analyse the events of the days preced...
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Together
Italian director Lorenza Mazzetti borrowed techniques from the neorealist school to conjure this striking study of East End life, one of the original Free Cinema shorts. Following the ambling existence of two deaf-mute dock workers, Mazzetti crafts a poetic depiction of post-war London populated ...
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Listen to Britain
Documentary, public information film, morale booster; propaganda film – all descriptions that apply to Humphrey Jennings and Stewart McAllister's extraordinary war-time film. Using his customary combination of poetry and propaganda, Jennings constructs a collage of the various people and classes ...
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The Boy Who Turned Yellow
The Boy Who Turned Yellow is the splendidly eccentric final collaboration from the eminent filmmaking duo Michael Powell and Emeric Pressburger. London schoolboy John Saunders turns a bright yellow after losing his pet mouse on a school, trip. Is the mysterious colour change the result of an alie...
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The Third Man
One of the greatest British films, Carol Reed's classic very consciously emphasises its time and place - post-war Vienna - yet its resonant themes around loss of innocence and a fall from grace render it timeless. Joseph Cotten plays the writer searching the Austrian capital for his missing frien...
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The Fallen Idol
Carol Reed followed the success of Odd Man Out (1947) with this adaptation of Graham Greene’s short story, The Basement Room. Young Felipe (a revelatory Bobby Henrey) is a son of a diplomat who is never around, who instead forms a friendship with his butler Baines (Ralph Richardson). Baines imp...