Margaret Tait's tale of three generations of women in a Scottish family swirls out through a series of interlinking stories and recollections, taking place in Edinburgh and the Orkney Islands. Drawn to the sea, it appears that the grandmother and mother both drowned accidentally, and their unfolding dramas overlap with restrained pathos. Tait's first feature, this film was made when she was 74.
Up Next in BFI titles
-
Burning an Illusion
Menelik Shabazz’s pioneering first feature, shot around the communities of Notting Hill and Ladbroke Grove, marked a coming of age for black British cinema.
-
Caught Looking
Caught Looking sees a lonely gay man attempt to explore his sexual fantasies with the help of an interactive computer game, guiding his virtual reality persona through a series of potential encounters (a naval rough trade, a moustachioed ‘clone’, a retro ’50s muscle men) while offering wry commen...
-
Central Bazaar
For this remarkable experimental film, provocative avant-garde artist Stephen Dwoskin gathered a group of strangers and filmed them exploring their sexual fantasies over a period of five days; the camera lingering on looks, movements, costumes and improvisations. A subversive investigation of soc...
