British Classics • Drama, UR
Despite Harold Pinter's fear that Joseph Losey would turn his play into 'a completely homosexual picture', The Servant stands as one of the great critiques of British social and sexual mores. As power relationships between the classes fuel a sexual subtext about dominance and submission which goes beyond gender, The Servant stands out as one of the definitive adaptations of Pinter's work.
Up Next in British Classics
Burning an Illusion
Menelik Shabazz’s pioneering first feature, shot around the communities of Notting Hill and Ladbroke Grove, marked a coming of age for black British cinema. A love story that traces the emotional and political growth of a young black couple in Thatcher's London, it was the first British film to ...
Went the Day Well?
In the middle of World War II Cavalcanti provocatively imagined a postwar England in which the failure of the threatened German invasion could be safely seen in flashback, thanks to the resourceful villagers of Bramley End. Once the ostensibly British troops in their village are revealed as Nazis...
The Lion in Winter
Christmas 1183. An elderly King Henry the Second (Peter O'Toole) is torn over naming his successor. He wants the young Prince John (Nigel Terry), one of his three sons, to take over, however, his wife Queen Eleanor of Aquitaine (Katherine Hepburn) wants another of his sons, Prince Richard the Lio...