Tony (Peter Ferdinando) cuts an odd figure. Wandering the streets of his East London neighbourhood, he quietly observes the people around him, occasionally inviting an unlucky few back to his flat for some squash. Asking a prostitute for a cuddle or reeling off his extensive VHS collection, he is desperate to connect but quick to lash out. But then a child goes missing and visitors come knocking.
Up Next in British Classics
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
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Akenfield
Based on Ronald Blythe’s much-loved oral history book, Akenfield traces three generations of one Suffolk family and their lives in the farming industry, with director Peter Hall – known for his theatre direction - using to great effect a cast non-professional actors drawn from the communities of ...
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Caravaggio
Derek Jarman struggled for seven years to bring his portrait of the 17th century Italian artist Michelangelo da Caravaggio to the screen. The result was well worth the wait. It’s a freely dramatised portrait which conjures several of the controversial artist’s most famous paintings through elabor...
