Despite Harold Pinter's fear that Joseph Losey would turn his play into 'a completely homosexual picture', The Servant stands as one of the great critiques of British social and sexual mores. As power relationships between the classes fuel a sexual subtext about dominance and submission which goes beyond gender, The Servant stands out as one of the definitive adaptations of Pinter's work.
Up Next in LGBTQIA+
The opening film in Terence Davies' powerful Liverpool-set Trilogy introduces Robert Tucker as a withdrawn young boy, bullied at school and terrorised by a violent father. His strict Catholic upbringing hinders his sexual awakening and as a young man he's still living at home with his mother. A v...
Death and Transfiguration
The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, mal...
Madonna and Child
The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...