"We expect no mercy from Everest," said George Mallory as he began his final ascent on the treacherous mountain - and he got none. Captain John Noel's moving and visually ravishing account puts the human struggle at its heart, while bringing home his own rapture at the 'lost world' of Tibet. Simon Fisher Turner's score gives majestic expression to Noel's passion and sense of wonder.
Up Next in BFI Restorations
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Death and Transfiguration
The anguished finale of the Terence Davies Trilogy opens with the death of Robert Tucker’s beloved mother, jumping forward in time to show an elderly Robert bedridden in hospital (an astonishing appearance by Steptoe and Son’s Wilfrid Brambell). Fragments of his past - a school nativity play, mal...
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It Always Rains on Sunday
The British New Wave came a decade earlier than advertised with Robert Hamer's downbeat postwar thriller. In a dank East End of ration-book misery, dosshouses and black marketeering, a world-weary housewife is shaken by the sudden reappearance of an old lover, now an escaped convict on the run. R...
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Distant Voices, Still Lives
Set in a world before Elvis, a Liverpool before the Beatles, Terence Davies' debut feature is a remarkable evocation of working-class family life in the 40s and 50s and a visionary exploration of memory. In a powerful succession of searing vignettes, Davies paints an autobiographical picture of a...
