Great Directors

British cinema has produced some of the most acclaimed directors in film history, from those such aas Alfred Hitchcock who found great success at home and in Hollywood, to those who forged distinctive bodies of work in Britain along, such as Michael Powell and Emeric Pressburger. The filmmakers collected her are renowned for producing ground-breaking and influential cinema with a distinctive style and artistic voice of their own. Explore our tribute to their resounding talents through a collection of their legendary works.

Share
  • Rynox

    Michael Powell’s earliest existing film is a twisty thriller crafted with a bold visual style that is unmistakeably influenced by Fritz Lang.

  • Peeping Tom

    Much criticised at the time of its release, Michael Powell’s psychological study of a shy camera technician who films for his home movies the death throes of the women he kills is now widely regarded as a dark classic. Less a straightforward serial-killer thriller than a Freudian meditation on ho...

  • The Boy Who Turned Yellow

    The Boy Who Turned Yellow is the splendidly eccentric final collaboration from the eminent filmmaking duo Michael Powell and Emeric Pressburger. London schoolboy John Saunders turns a bright yellow after losing his pet mouse on a school trip. Is the mysterious colour change the result of an alien...

  • Werner Herzog: Radical Dreamer

    In this compelling new film, Werner Herzog’s extraordinary life and work are brought into focus through clips from his finest films and interviews with those who know him best. This fascinating and insightful documentary explores the career of the auteur director, writer and poet, whose adventu...

  • Fitzcarraldo

    One of Werner Herzog's most acclaimed and audacious films, Fitzcarraldo tells the incredible story of Brian Sweeney Fitzgerald (played by Herzog regular Klaus Kinski), an opera-loving fortune hunter who dreams of bringing opera (specifically Caruso) to a remote trading post on the heart of the Pe...

  • Aguirre, Wrath of God

    This early masterpiece from legendary German director Werner Herzog stars Klaus Kinski as a power-crazed explorer in sixteenth-century South America who leads a band of conquistadors through the Amazon in search of El Dorado.

  • The Man Who Fell to Earth

    David Bowie cemented his unearthly persona in Nicolas Roeg’s startling cult film; playing an alien stranded on Earth while on a mission to find water for his own world, he initiates a plan to amass a fortune to help save his home planet.

  • The Gold Diggers

    The ground-breaking first feature from the director of Orlando and The Tango Lesson, The Gold Diggers is a key film of early '80s feminist cinema. Made with an all-woman crew, featuring stunning photography by Babette Magolte and a score by Lindsay Cooper it embraces a radical and experimental na...

  • Boy and Bicycle

    Ridley Scott’s first film – featuring his younger brother, the late Tony Scott, as a schoolboy playing truant for the day to meander around Hartlepool on his bicycle – is a far cry from the director’s Hollywood blockbusters, a lyrical and highly personal evocation of the early sixties North East.

  • Loving Memory

    The debut feature by future Hollywood star director Tony Scott is a dark, surreal piece about a couple who accidentally kill a young man while out driving their car. Taking him home, the woman treats the boy as if he were her own - and as if he were still alive. She finds happiness by talking to ...

  • Darling

    When she meets a hip television director, a young woman is swept into the world of London's lavish sixties nightlife. However, her lust to belong to the scene doesn't even begin to quench her thirst for fun, as she drifts from clique to clique looking for an unattainable sense of belonging.

  • Madonna and Child

    The second instalment of Terence Davies' masterful Trilogy finds Robert Tucker in middle age, with the clash of religion and sexuality taking its toll. A depressed loner who takes the ferry across the Mersey to work as an office clerk, Robert is haunted by nightmares of his own death and tormente...

  • Listen to Britain

    Documentary, public information film, morale booster; propaganda film. All descriptions that apply to Humphrey Jennings and Stewart McAllister's extraordinary war-time film. Using his customary combination of poetry and propaganda, Jennings constructs a collage of the various people and classes ...

  • Room at the Top

    Jack Clayton’s 1959 romantic drama tells the story of Joe (Laurence Harvey), a young and ambitious man who has just moved to Yorkshire to work for the Borough Treasurer’s Department. He instead becomes romantically involved with Alice (Simone Signoret in an Oscar-winning performance), and what en...

  • Momma Don't Allow

    This lively Free Cinema short captures a night out at the Wood Green Jazz Club, where teenagers jive to trad jazz. Funded by the BFI Experimental Film Fund, it was filmed over the course of nine Saturdays by Karel Reisz, then programmer of the National Film Theatre, and a young BBC television dir...

  • Together

    Italian director Lorenza Mazzetti borrowed techniques from the neorealist school to conjure this striking study of East End life, one of the original Free Cinema shorts. Following the ambling existence of two deaf-mute dock workers, Mazzetti crafts a poetic depiction of post-war London populated ...

  • We Are the Lambeth Boys

    Karel Reisz’s honest and sympathetic depiction of South London teens aimed to challenge the media perception of ‘Teddy Boys’, and would be one of the last films to appear under the Free Cinema banner. One of the key elements of the Free Cinema films was the sympathetic representation of working-c...

  • O Dreamland

    Lindsay Anderson’s 12–minute tour of Margate’s Dreamland funfair is immediately notable for its deliberately bleak and unattractive photography and a spare and impressionistic soundtrack. Despite the absence of a commentary, the film distinctly conveys Anderson’s obvious disdain for the modest, i...

  • London Can Take It!

    Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...