Lindsay Anderson’s 12–minute tour of Margate’s Dreamland funfair is immediately notable for its deliberately bleak and unattractive photography and a spare and impressionistic soundtrack. Despite the absence of a commentary, the film distinctly conveys Anderson’s obvious disdain for the modest, if not tawdry, attractions on offer.
Humphrey Jennings and Harry Watt's famous film, produced at the GPO film unit, is an enduring example of British self-mythology and rousing evidence of the artistic potential of supposed propaganda. A hymn to our capital city's resilience during the Blitz, structured as a day-in-the-life of stiff...
